KG Omulo is a singer, songwriter, dance-floor instigator and pioneer of Afro-Urban music, a new sub-genre of World Contemporary music. His songs include both English and Swahili lyrics. Critics have embraced this unique sound: “It is an authentic sound” nationalgeographic.com

He regularly packs American clubs with gritty calls for justice and hard-hitting Afrofunk. He has moved sold-out arenas with his baritone voice in his native Kenya. He takes on the dark ironies of politics, with anger in the groove, reveling in the potential to shake things up while shaking your thing.

Now on his upcoming solo debut record “Ayah Ye! Moving Train” (January 10, 2012), KG Omulo Hits Positive Highs… he calls on the spirit of Bob Marley and Fela Kuti, of Marvin Gaye and Stevie Wonder, and gets right to the point. No vamping or self-righteousness, just banging horn breaks, sweet and snarling guitar, and a voice that can croon, cry out, and urge on.

“I can be conscious and get people stirred up instead of bringing them down,” Omulo explains. “I make positive music that educates without judging. I want to create awareness and still make people dance.”

*** Omulo’s dance-floor positivity has deep roots. His family was very pious, yet savored lively political discussions. His mother had conservative religious views, but still shared the Motown hits, East and West African classics of her youth with her son. Omulo learned that the spirit could shape the world—and could do so through powerful music. This faith and pop savvy combo led to his first musical coup: As a teenager, Omulo and two close friends from his rural Kenyan high school sang gospel a cappella for stadium crowds. “We were a barber shop-style trio, doing something between doo wop and Ladysmith Black Mambazo, because we didn’t have any instruments at our school,” Omulo recalls. “We recorded a simple tape and before we knew it, we were traveling to Nairobi and singing for 35,000 people a show. We never thought it would get so serious.”But when Omulo’s parents moved to Rhode Island, KG had to follow. “I had to start from scratch,” he says.

The challenge opened new musical vistas for Omulo, who wanted to reach a whole new set of ears. His education took him to Florida, far from any Kenyan émigré community and even farther from his roots. He knew he needed a live band. He knew he wanted to move people—move them to toss aside apathy, fight for their rights, work together for justice. He began to think funky bringing together some of Central Florida’s finest brass and string practitioners from a broad spectrum of musical talent – musicians who have worked with Sam Rivers, Ray Charles, T-Pain, Mofro, The Legendary JC’s, Junkie Rush, AM Conspiracy and Shak Nasti to name a few – and the result is a playlist that feels not only alive but vital.